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Red Sentinel in Coping with Paradise, 2024, Ochi, Sun Valley (Artists pictured, from left to right: Kim Fisher, Ben Sanders, Peter Alexander, Sam Francis.) Siren XXII, 2023, acrylic on canvas, 24" × 20" Siren XX, 2023, acrylic on canvas, 24" × 20" Siren XXIII, 2023, acrylic on canvas, 24" × 20" Atom (Synthesis), 2023, acrylic on canvas, 24" × 20" Atom (Displacement), 2023, acrylic on canvas, 24" × 20" Atom (Penetration), 2023, acrylic on canvas, 24" × 20" Star (Cola), 2023, enamel on shaped steel, 33" × 33"× 6" New Caps, 2023, Marta, Los Angeles Siren (Tutti Frutti), 2023, enamel on shaped steel, 33" × 33"× 6" Siren (Watermelon), 2023, enamel on shaped steel, 33" × 33"× 6" Study for Atoms, 2023, ink, colored pencil, decals on paper, 8.5" × 11" Bottle cap source material archive, 2014–2023, New Caps, Marta, Los Angeles Siren (Black Cherry), 2023, enamel on shaped steel, 33" × 33"× 6" Siren (Surf & Turf), 2023, enamel on shaped steel, 33" × 33"× 6" On the Voyage, 2023, Asia Art Center, Beijing Red Sentinel, 2023, acrylic on canvas, 48" × 60" Red Sentinel (detail), 2023, acrylic on canvas, 48" × 60" Siren XVIII (Birth), 2023, acrylic, flashe on canvas, 48" × 60" Siren (Day & Night), 2023, acrylic on linen-wrapped panel, 14" × 11" Deep Time, 2023, Ochi, Los Angeles Magnet, 2022, acrylic on canvas, 84" × 72" Timekeeper, 2022, acrylic on canvas, 84" × 72" Deep Time, 2023, Ochi, Los Angeles Silence, 2022, acrylic on canvas, 72" × 84" Deformation, 2022, acrylic on canvas, 72" × 84" Post-Existence Postcards, 2022, Ochi, Untitled Art Fair, Miami Floater V, 2022, acrylic on canvas, 48" × 60" Oozer I, 2022, acrylic on panel with polished aluminum artist frame, 14" × 11" Rod II, 2022, acrylic on panel with polished aluminum artist frame, 14" × 11" Oozer II, 2022, acrylic on panel with polished aluminum artist frame, 14" × 11" Siren III, 2022, acrylic on panel with polished aluminum artist frame, 14" × 11" Siren I, 2022, acrylic on panel with polished aluminum artist frame, 14" × 11" OK, 2021, enamel on shaped steel, 33" × 33"× 6" Ready, 2021, enamel on shaped steel, 33" × 33"× 6" Wall, 2021, enamel on shaped steel, 33" × 33"× 6" Strawberry (Thank You for Coming to this Bank), 2021, enamel on shaped steel, 33" × 33"× 6" Motto, 2021, enamel on shaped steel, 33" × 33"× 6" Roses, 2021, enamel on shaped steel, 33" × 33"× 6" Chimney's, an exhibition of new caps and a functional bar, 2021, Ochi, Ketchum, Idaho Chimney's, an exhibition of new caps and a functional bar, 2021, Ochi, Ketchum, Idaho Bonsai, 2020, Ampersand Gallery, Portland, OR Bonsai, a catalog of 200 bonsai drawings, 2020, published by Ampersand Editions, Portland, OR From the Ground and/or From the Sky, 2017, bar for Culinaria at Oregon Contemporary (formerly Disjecta), Portland, OR Chateau Le Sploosh, 2014-17A gesamtkunstwerk and fully functional bar conceived, built, and operated by Happy Hour Agency, a Los Angeles-based visual & culinary arts collective consisting of Eliana Dominguez-Quant, Irene Martinez, Ben Sanders, and Connie Shen. Photo: Josh Schaedel Chateau Le Sploosh, 2014-17A gesamtkunstwerk and fully functional bar conceived, built, and operated by Happy Hour Agency, a Los Angeles-based visual & culinary arts collective consisting of Eliana Dominguez-Quant, Irene Martinez, Ben Sanders, and Connie Shen. Photo: Josh Schaedel Chateau Le Sploosh, 2014-17A gesamtkunstwerk and fully functional bar conceived, built, and operated by Happy Hour Agency, a Los Angeles-based visual & culinary arts collective consisting of Eliana Dominguez-Quant, Irene Martinez, Ben Sanders, and Connie Shen. Photo: Josh Schaedel